![]() While his contributions to various artists were significant, his collaboration with Pink Floyd stands out as a testament to his visionary approach. Lines are open from 12 – 4pm, Tuesday to Sunday.Norman Smith, a renowned record producer and sound engineer, left an indelible mark on the music industry during the 1960s and 1970s. Bookingsīook online at any time, or telephone the Box Office on 01353 616991 As a charity, we are able to claim gift aid on your donation, which gives us even more funds towards keeping your local indie cinema going. If you would like to give more you can also make a donation. The Film Finds line-up is a great way to take a chance on something a little different and experience some excellent examples of British Indie, Art House and Foreign films.īand B: £8 – I comfortably meet my basic needs.īand C: £10 – I have expendable income and financial security.īand D: £0 – I struggle to meet my basic needs. Most people pay £8 or £9 for a ticket, as such your ticket and donations are vital to keeping the Babylon Cinema alive.īy paying for a ticket or donating to Babylon Arts, you will enable us to keep offering the cinema and Pay What You Can screenings, enabling more to to experience our wonderful cinema. Pay as much or as little as you can afford.Įach screening costs, on average, £350 before we include time spent programming and administering the cinema. As such we are using the funding to trial Pay What You Can for the Film Finds supported screening over the summer and autumn. We know that being able to come to the cinema isn’t realistic for some, especially in the current cost-of-living crisis. Thanks to funding from the BFI Film Audience Network, we are able to present our new season of Film Finds.Īs we are a charity we are reliant on ticket income and your donations to ensure that Babylon Cinema at the Maltings can continue. From this dingy studio came Pink Floyd’s ‘Atom Heart Mother’ (1970) and ‘The Dark Side of the Moon’ (1973) Led Zeppelin’s ‘Houses of the Holy’ (1973) AC / DC ‘Dirty Deeds Done Dirt Cheap’ (1976) and Peter Gabriel’s ‘Peter Gabriel’ (1978) amongst hundred of others. Setting up shop on Denmark Street, in London’s Soho, the musician’s alley was the perfect place for the studio to create and conjure images that nobody had previously thought possible. ![]() Working with Pink Floyd, Led Zeppelin, 10cc, Paul McCartney, Peter Gabriel among others, Hipgnosis revolutionised what an album cover could be, setting a new standard and influencing artists for generations to come.Īnton Corbijn (Control, The American, A Most Wanted Man) tells the story of how Storm Thorgerson and Aubrey “Po” Powell, the design and photography duo who formed Hipgnosis, went from a two-man operation in the late sixties to become rock royalty in their own right by the seventies and firmly at the centre of one of the most creative, fertile eras of rock. Photographer, filmmaker, and art director, Anton Corbijn’s debut documentary feature is an homage to the creative geniuses Hipgnosis, the design studio headed by Storm Thorgerson and Aubrey “Po” Powell, who were responsible for elevating album covers from staid band portraits to high concept art pieces. Celebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time.
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